on my knees i look for teeth
on the muddy ground by the backyard creek
toads stare at the air with unblinking eyes and their croak
is the sound my heart makes when its overfilled itself
and spends its night with its hands on the porcelain
coughing up years of accumulated rot
but when the toad makes the sound it is for love
when I do, it is not
I remember my mother’s snaggle tooth, a curved fang
amidst a cream-suited procession, a snake in the hutch
I remember my dead lover’s snaggle tooth, twisted to face
inwards towards his comrades, a traitor in the ranks
nothing beautiful is perfect
I’ll remember what’s been misplaced long after
everything symmetrically sound has been wiped away
I have such the same malformity,
though not as front-and-fringe
to notice you’d have to reach in to touch it,
to find it, hiding shyly, curling in on itself
There is a Physiognomist smoking a pipe in my head
this is a sign of a crooked character, he tells me
good, I say, so let us be crooked
it is better for our branches to reach out to the light
I love to love liars and I love to be loved despite
how I cry as frogs cry, merely part of a larger orchestra
of homeless buskers that play for no one but themselves
(for who else is there to play for but ourselves?)
I pick a tooth from the creek, or perhaps a tooth-shaped stone.
This will do just fine I think, it’ll fit in well enough with my own
this is the thing about a broken heart
it should be treated no differently than a broken bone
we speak of doom and sore-crossed stars, monologue
about the predestined tragedy of it all
but perhaps fate is always changing its mind
its eyes are cast on the rug not the threads
and our little weaver is bored and tired and knows
accidents will happen; people will fall
we set it back into place with a shout or a whimper
wrap it up with a shirt or paper, then we’re a little
weaker forever and stronger for having overcome the pain
Not even cicadas know how to fly
I watch them crash into trees as
I empty my tin bucket of painted shame
into the running water
from its mouth trots out
every mistake I’ve ever made
and they salu! with little clay arms
and dunk their buttonheads under the water
the Physiognomist blows Os towards the ceiling
buttonheads are a sign of psychosis, he tells me
I can’t bear to sit and watch them swim around
so I head back home, full of wounds within and without
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